Music

International Women’s Day 2018: Women in Music & Film Panel recap

One of my goals in 2018 has been to create events in the community for people, especially women, to come together to connect, speak, and share space.

Successfully putting an event together in honor of International Women’s Day last Thursday was powerful and reminded me that courage can invite so many great things into my own life and into the lives of others. 

Photos taken by Génesis Ahtty

At the end of 2017, Jean Edelstein, an extraordinary writer and former colleague, tipped me to the “Women@Spotify” group, an employee-run group at Spotify for those who self-identify as a woman. The group’s mission is to celebrate, support and elevate members through initiatives and events. I thank Jean for planting the seed for me to explore resources to plan events in LA on behalf of and for women in music.

Months later, I’m proud that I launched the first official Women@Spotify LA event on International Women’s Day this year: Women in Music & Film: Panel and Networking Mixer.

In thinking about the themes of the event, I wanted to specifically invite Women of Color to speak. Intersectionality, a theory on race and gender, coined by Kimberlé Crenshaw, is important to raise awareness of and talk about–black women and other Women of Color have different experiences and challenges compared to white women.

I was also inspired to invite women filmmakers in music and film because as I’ve entered into the field of video through writing video content for RapCaviar, I wanted to connect with more women in these spaces.

I invited Evita Castine and Jaimie Sanchez to join me as featured panelists. These two incredible women have interesting backgrounds that have led them on their paths where music and film collide:

Jaimie Sanchez is a Dominican-American documentary producer and director hailing from Brooklyn, NY. She has helped produce films for the ESPN 30 FOR 30 series and was most recently a senior producer at VICE. She currently directs video content for Spotify. She has worked with brands like NIKE, CASIO, Pyer Moss and GoPro to showcase documentary filmmaking as a valuable medium.

Evita M. Castine is a writer, director, editor, cinematographer and photographer. She is Warner Brothers Emerging Director Finalist, Emmy winner and took home the audience award at the Diversity in Cannes Showcase in Cannes, France for her film “Only Light.” She is heavily influenced by black anthropologists and writers like James Weldon Johnson and Zora Neale Hurston who inspired her to look at the soul’s expression through the simple acts of everyday life using sound and images. She has directed videos and photographed artists Cody ChesnuTT, SZA, Dej Loaf, Raphael Saadiq, A Tribe Called Quest, Lalah Hathaway, Common and more.

It was an affirming, healing and inspiring evening of conversation and connection. Listen to the full conversation and Q&A below about the strides and learnings in Evita and Jaimie's careers and the importance of recognizing and owning your power as a woman and more.

Key moments throughout the conversation and Q&A: 

  • 5 min: The moment Evita realized she was committing herself to filmmaking when she started making films with friends which is what filmmaking is at its core

  • 5:40 min: Jaimie on being the first out of her siblings to go to college, graduating with a biology degree but realizing that something creative was calling her and taking a chance on herself

  • 7:30 min: Catalyzing things for a man that Jaimie didn’t quite understand herself at first but realizing her power that she could things for herself: "This would not have happened if I weren’t in the equation...I could do this for myself instead of just empowering someone"

  • 8:34 min-~14:00 min how Evita’s identity as a black woman and Jaimie’s identity as a Dominican-American woman influence their work and the way they work with people behind the scenes

  • 14:38 min: Evita on the most important thing you can do for yourself is hold space for yourself. The only way you know it is because you know it.

  • 16 min: we all live on the internet, there are no boundaries or conventions of anything. It’s about the work at the end of the day.

  • 20 min: All you need to say is "I am a director, I am XYZ," avoid saying "I'm an aspiring XYZ"

  • 21 min: Building confidence through persistence

  • 22 min: Putting yourself in the position with the right people and being selective about your opportunities to build resources, even if you have to pay your dues sometimes

  • 23 min: Biggest lessons throughout Evita and Jaimie's careers that stick with them

  • 26 min: Trusting your gut and being resourceful on your own

  • 27 min: Investing in your personal life, don’t isolate into one narrow path

  • 29 min: Proudest moments and highlights in Evita and Jaimie's careers so far

  • 33 min: Importance of empowering women, putting other women on and spreading positivity because it will come back to you

  • 38 min: Q&A: How do you deal with men in the industry who only want to help you after you date them?

  • 40 min: Importance of boundaries

  • 42:16 min: Evita on "Your intellectual property is important, especially for Women of Color"

  • 43:26 min: Act and walk around with the confidence of a man

  • 45 min: Awareness of pay and challenges women face with negotiating pay

  • 48 min: Q&A: How do Evita and Jaimie collaborate with music composers as filmmakers?

  • 52 min: Q&A: Where do you find the line to pause and use better judgment from difficult situations where you feel immediate emotional responses like anger or crying?

  • 58 min: Q&A: How to deal with competition among fellow women?

  • 1:00 hr: Love yourself no matter what and everyone has their own "bucket of magic"

  • 1:02 hr: Your peace of mind is all you have

  • 1:03 hr: Insecurities and vulnerabilities

  • 1:04:38 hr: Q&A: How do you establish your identity when you're getting feedback from people on how to be?

  • 1:12:20 hr: Q&A: What advice do you have for me to expand beyond just being a producer-singer-songwriter to share my music in film?

Additional links and resources that came up from the talk:


Personal key takeaways:

  • My voice as Jane Shin matters. I am not defined by where I work. I’m Jane Shin in the end. My dreams have no bounds, my identity has no bounds.  

  • Evita mentioned, “I’d rather be scared and free-falling and be free instead of wondering what if?” I had moments where I questioned how things would go with the event, but in the end, it all worked out. Taking that step, no matter how things turn out, can open doors and spark more ideas and connections.

  • Challenges are inevitable on this journey. When things don’t go my way, stepping back to remember that my peace of mind is what’s crucial to protect and uphold will help me learn and grow.

  • I am grateful for all the amazing women in my life who came out to support me or shared their support for me from afar. Thank you everyone who took the time out of their evenings to make it all the way out to Century City. I felt so honored, loved, and heard. I also want to share a special thank you to Génesis Ahtty. The last large-scale event I planned was the SoundCloud Artist Forum back in 2015. Génesis was my first intern at the time and was a massive part of the planning and execution of the event. She came in clutch again, on her birthday no less, to be the official photographer and videographer for the International Women's Day event. Look to uplift and support those around you.

Korean music favorites

The 2018 Winter Olympics held in Pyeongchang concluded last night, marking the first time South Korea hosted the Winter Olympics. As a proud Korean-American, I've been inspired to dive into what sounds have been coming out of the Motherland (and the U.S.) and revisit the classics I grew up on. I'm also headed to Korea for the third time for my cousin's wedding in March, so I'm excited for the adventures and reflections that will surface this time around; the first time I visited was in 2000 and the second time was in 2014.

Frankly, I've missed out on a lot of good Korean music over the years. My own journey in music has taken different paths, but there was definitely a hallmark Korean music moment for me in elementary school.

I gathered some favorite songs of mine, old and new, into a playlist. There's a mixture of hip hop, atmospheric indie, electronic and heartbreaking love ballads:

Eagle Five - Gwedo (1998)

궤도, a song by Eagle Five on Spotify

Eagle Five was a hip hop group in the 90s who had the best dance moves. My brother and I would always crack up hearing one of the group members Eric licking his lips before he starts rapping in the intro of this track, Gwedo. I love this song for its minor key change in the chorus that makes it a slightly melancholy hip hop song.

Happy Doghouse - Don't Give Me Grapes (2016)

Don't Give Me Grapes, a song by Happy Doghouse on Spotify

I first discovered Happy Doghouse last year or so when her music surfaced on Ryan Hemsworth's Secret Songs. "Don't Give Me Grapes" is a dreamy number, and she tagged her genre as "Puppy Punk" on SoundCloud. Enough said.

Yaeji - raingurl (2017)

raingurl, a song by yaeji on Spotify

Yaeji, born Kathy Yaeji Lee, has had a breakout year last year, and she only continues to rise. The NYC-based singer, songwriter, rapper, producer and DJ does it all, blending house music with hip hop to voice relevant topics regarding her identity as a Korean-American. I love that she sings in both Korean and English. "raingurl" is my jam from EP2 which she says is about introspection in the club.

Turbo - December (1997)

December, a song by 터보 on Spotify

Turbo was one of the best duos out there in the 90s and 2000s. "December" brings back so many memories for me. I especially love the sound of the bells in the intro.

Jane Jang - velvet (2017)

velvet, a song by Jane Jang on Spotify

I want to listen to this song when I fall in love. "velvet" is a perfect warm piano, acoustic guitar song. Jane Jang is an indie folk artist who would busk in the streets of the Hongdae neighborhood of Seoul. She gained fame after appearing on the Korean music audition show Superstar K2. 

Neon Bunny - Romance in Seoul (2016)

Romance in Seoul, a song by Neon Bunny on Spotify

Neon Bunny whose real name is Yoojin Im is an independent singer-songwriter and producer from Seoul. "Romance in Seoul" captures Neon Bunny's airy vocals with melodic, ambient beats. It feels exactly like what you think a romance in Seoul would feel like.

Jonghyun ft. Taeyeon - Lonely (2017)

Lonely, a song by JONGHYUN, TAEYEON on Spotify

Jonghyun was the lead vocalist of the group Shinee. While he has different styles in the pop realm, I particularly dig the heartbreakingly sweet ballads like "Lonely."

Sadly, I didn't discover Jonghyun's music until after the news of his suicide. South Korea has the second-highest suicide rate in the world with mental health and seeking help being taboo. I feel the connection is related to the cultural concept we have called "han." It's hard to explain, but it's like a feeling of morose and melancholy that permeates through our lives as Koreans, a lot of it having to do with the invasions the peninsula has experienced over centuries.

Happy January

Happy 2018! How’s the top of year shaping up? Hope it’s going well.

I created a 2018 vision board for the first time which was a fun and refreshing creative exercise that didn’t involve staring at a screen. I went through my mom’s old Korean women’s magazines and issues of National Geographic. I divided my board into three sections–career, personal development and relationships; you can cover other areas of focus too. Visualizing goals can be a powerful way to stay focused and motivated.

I had a few hiccups at the start of the year though that had me realizing how powerful my intuition is. Sometimes we lose balance or lose our footing. And that’s okay. What’s important is getting back on track and learning to move forward. Toni Romiti said it well in her photo caption on Instagram the other week–L’s are not losses, but lessons. I’m on that tip 100% too. Sometimes we don’t receive the information right away to proceed, but when it clicks, it clicks.

Here are a few resources I either have revisited or recently have been recommended to remind me to be in the present and keep things moving forward:

  • The Untethered Soul— Shoutout to the my wonderful friend, singer, songwriter and producer Tiffany Gouché for introducing this book more than a year ago now. I find myself re-flipping through its pages. This is a great read on reaching inner peace by letting go.
  • For Today & Tomorrow — Daily Encouragement— Shoutout to singer Joyce Wrice for recommending me this book written by Daisaku Ikeda, a Buddhist philosopher of the Soka Gakkai Buddhist movement founded by 13th century Japanese monk Nichiren Daishonin. Soka Gakkai translates to “Society for the Creation of Value.”
  • Notes from the Universe — I heard of this great daily email through my great friend Natalie James and Bruna of The Problem with Dating (a great blog on dating and relationships) whom I met through the amazing Dimplez. So far these notes always seem to arrive at the right time.

Other fun things that have happened so far this month:

 

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  • I attended artist Corey Wash’s first solo exhibit in LA called POCKETS. Corey communicates different narratives through her art and through the genderless character Willoughby. She brings to the forefront affirmations, conflicts and questions that surround black lives, feminism and politics. The exhibit is open for viewing at 0.0 Gallery in Chinatown until the 26th. Read and see more here.

 

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  • I attended Sylvan Lacue’s Apologies in Advance album listening session for fans in LA that also included a great on-stage interview by my friend, photographer and writer Emily Berkey. Apologies in Advance is beautiful storytelling, and Sylvan’s work is honest and vulnerable. I wrote about Sylvan in my “Lyrics as Life Reminders” past letter.

 

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  • I met up with artist Kari Faux on her recent visit to LA. I’ve written about Kari in a past letter, so it was a treat to sit down and enjoy tea with her. We talked about our moves in 2018, being sensitive and how much Geminis get hated on. She’s putting on for her hometown of Little Rock, AR and is working on some exciting things this year. Don’t sleep. In the meantime, peep her newest mix, VIOLET WATERS: 001.

 

  • The first video we shot for RapCaviar this year was with Maryland rapper IDK. I first got familiar with IDK through Isaiah Rashad when he joined him on The Lil Sunny Tour. IDK is massively talented, his freestyles are incomparable, and I find it interesting that he debuted his album IWASVERYBAD through Adult Swim. He’s been dropping freestyles on SoundCloud through his “HELLO” freestyle series. Stay tuned for his videos on RapCaviar these next few weeks and catch him live with Denzel Curry and A$AP Ferg on tour, starting February 28.

Music on rotation–waves of nostalgia edition:

  • Elliott Smith — RIP to a legend. I’ve been revisiting his entire discography, and it’s inspiring me to pick up the acoustic guitar again.
  • Jay Electronica — Listening to Jon Brion after watching Punch-Drunk Love for the first time a few weeks ago reminded me of Jay Electronica’s 2007 mixtape, Act I: Eternal Sunshine (The Pledge) which I’ll never tire of. Here’s hoping a new project is on the horizon this year since he’s playing a couple of live shows this year, including at The Observatory in February. Who wants to go with me?
  • Evenings — Yore (2013) — This album reminds me of the early days of SoundCloud. It’s a solid project, perfect for contemplation, relaxation and maybe even some yoga.

As always, thanks for reading and supporting. Drop me a note to say hi.

Much love,
Jane

The Jane Shin 2017 Summer Tour: Reflections from Miami, Atlanta, Stockholm, London & NYC

Originally published on October 5, 2017 at tinyletter.com/janewave.

I traveled to Miami, Atlanta, Stockholm, London and NYC throughout the month of August. I hopped from city to city, soaking in each new environment.

Here’s my recap and reflections of what I call The Jane Shin 2017 Summer Tour to officially wish summer goodbye and welcome fall.

Listen to the accompanying playlist of songs from the artists I met throughout my travels.

 

My luggage for 22 days in five cities.

My luggage for 22 days in five cities.

Miami

I started my trip in Miami, spending most of my time in Carol City and Miami Shores. It was my first time visiting The Magic City.

A few months prior in LA, I met up with Carol City-bred rapper Denzel Curry and his great team–Mark Maturah and Rees Escobar. He played some new records he’d been working on for his highly anticipated new album Taboo.

As I told him about my work writing video content for RapCaviar, we started talking about videos he had done in the past and wants to do in the future. Hometown coverage was one of the topics that came up. I mentioned that some artists don’t want to do video content in their hometown because they feel it’s overplayed.

Denzel, on the other hand, doesn’t shy away from where he’s from. Hailing from Carol City, he has a lot of pride for his city and his music is directly influenced by its history and culture. He said he felt he hadn’t had the opportunity to tell the full story of the path he’s carved so far in Carol City and Miami overall.

Inspired by his feedback, I pitched the idea for RapCaviar to head to Miami–to cover the rise of different music scenes in the city through Denzel’s lens. Next thing you know, we were off to Miami.

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Behind the scenes: Filming in the “den” and Denzel and SpaceGhostPurrp catching up.

Behind the scenes: Filming in the “den” and Denzel and SpaceGhostPurrp catching up.

 

I’ve always appreciated Denzel Curry’s artistry and creativity over the years–his delivery, lyrics, production, artwork and more. It was humbling to collaborate closely with his team and be there on the ground, seeing how different aspects of his creativity developed in their own space and time:

  • Learning about Denzel’s upbringing and spending time in his family’s “den,” their garage converted into a creative space where Denzel first started to record.
  • Denzel creates all of his album artwork. His creativity in visual art expanded at the “Zu Mansion” in Miami Shores. The “Zu Mansion” was Metro Zu’s place–Metro Zu was a Miami-based art and music collective that Denzel collaborated frequently with, consisting of Ruben Slikk, Lofty305, POSHstronaut and Freebase.
  • The art of the freestyle was perfected at Bel Air Academy, a relic in Carol City, where fellow local rappers like Nell, Twelve’len, J.K. the Reaper, Yung Simmie and more would engage in cyphers. This level of community at Bel Air was also heightened by the creation of Raider Klan by SpaceGhostPurrp in 2008.

 

2012 Raider Klan reunited.

2012 Raider Klan reunited.

There’s more to share, including some great surprises so stay tuned for the full video this coming fall on RapCaviar.

Takeaways from Miami:

  • Be who you are. Know who you are. Through Denzel’s own experiences in high school as referenced in his song “Gook,” he stayed true to himself and his own craft that makes his music unique to him. Don’t fall into what you think you “should be.”
  • Family is everything. Meeting Denzel’s sweet parents and hearing about the values they instilled in him and his brothers was reaffirming. It reminded me of my own gratitude towards my parents for the lessons and wisdom they’ve bestowed on me.
  • Unity is a beautiful thing. The core Miami Raider Klan group and its affiliates hadn’t been fully together in one place since 2012. It was great to learn about their roots and see them reminisce and recognize another’s contributions in building one of the greatest underground rap communities that spread worldwide.

Atlanta

Cheesing post-RapCaviar Live with two amazing women who hail from Providence, RI: Racqùelle Martins and Annie of Sorry4TheBlog.com

Cheesing post-RapCaviar Live with two amazing women who hail from Providence, RI: Racqùelle Martins and Annie of Sorry4TheBlog.com

 

RapCaviar Live kicked off in Atlanta. RapCaviar Live is a concert partnership between RapCaviar and Live Nation. For the inaugural RapCaviar Live concert, Gucci Mane, Mike WiLL Made It and 6LACK took the stage in their hometown. The pride of Atlanta was felt as these reigning local greats showed loved back for their city and fans.

On this Atlanta trip, I also got to finally meet Childish Major in-person. We first connected back during my SoundCloud days when he had a few production credits under his belt, notably Rocko’s 2013 hit “U.O.E.N.O.” featuring Rick Ross that later got remixed by Black Hippy (Kendrick Lamar, ScHoolboy Q, Ab-Soul and Jay Rock).

Beyond producing, Childish Major also sings and raps. “Happy Birthday” featuring Isaiah Rashad and SZA released last July is one of my favorite songs. “Supply Luh,” produced by J.Cole, is his newest track that’s out. It was featured in the season finale of Insecure. I think anyone who’s dealt with heartbreak at some point in their lives can relate to “Supply Luh.”

I also dropped by LVRN Studios to hear new music from iivrson (whom I mentioned in my last letter) and catch up on where he’s headed as a new artist. Summer Walker, studio manager and key architect and interior designer shared some of her incredible artwork she’s been working on too. Sharing good energy is always a blessing.

Takeaways from Atlanta:

  • Whenever I visit Atlanta, I come back feeling like my place in music exists for a reason, and I have the power and platform to share my voice and make an impact by moving at my own pace and way.
  • Live experiences are key. If you’re an artist, having an online presence and following is important, but being able to go out and touch people in real life and hone your craft as a performer is key. The potential to pick up new listeners is huge too.

Stockholm

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Swedish foliage and my Spotify Intro Days badge.

Swedish foliage and my Spotify Intro Days badge.

I then made my way to Stockholm for Spotify company onboarding–three days chock full of information on the story, current priorities and future of Spotify. It’s been a fun adventure since joining the company in February when so much in the music industry is evolving.

Please check out spotifyjobs.com if you spot anything interesting, and let me know. I’d love to see more good people I know working at Spotify too.

I also got to catch up with my good friend Marie. She was one of the first community managers at SoundCloud in Berlin and was quintessential in helping me get onboarded when the SoundCloud SF office opened up as the first US satellite office. She now lives in Stockholm. We ate well and shared plenty of laughs and memories together.

Takeaways from Stockholm:

  • My work is important and so is my voice. It’s wild RapCaviar has developed as its own entity and brand within Spotify. To see the ways in which this company is growing and developing tools for artists is exciting to be a part of.
  • Hard work brought me here. I’m counting my blessings to be able to travel abroad and gain so much perspective by being in another country.

London

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Slowing down in London, admiring the flowers at every turn.

Slowing down in London, admiring the flowers at every turn.

 

After Stockholm, I flew to London for a weekend. I hadn’t been there since the winter of 2009 when I spent my days buried in books at the British Library. I was conducting research for my senior thesis then, so it was nice to be back and see London in a different light.

I reflected on how much has changed in the eight years that have transpired since I was a hungry college student.

Friends and former SoundCloud coworkers Jami and Maytal hosted me in their cozy flat in North London. They were the nicest hosts, and they made the best egg sandwiches for breakfast. Subscribe to Maytal’s recipe newsletter called MaytalEats.

It was nice to see them and also reconnect with our fellow former colleagues Ed and Laura. They had all moved to London from Berlin. All five of us were on the SoundCloud Community Team at one point in time. It was a pleasure reminiscing and talking about our paths over fish and chips.

I also got to see Little Simz and the Space Age crew. Space Age threw a party as they released new gear. Little Simz had a music video shoot for “Zone 3” featuring Tilla, Josh Arce and Chuck20. It’s been a treat to be in the company of these kind, talented and interesting people whenever I have the chance. Even if I missed the Solar Eclipse viewing back home, to be in their hometown and catch them during the making of the “Zone 3” music video was worth it. If you haven’t heard Little Simz’s latest project Stillness in Wonderland yet, do yourself a favor and get familiar.

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On the set of “Zone 3” music video: Josh Arcé, Little Simz and Chuck cheesin’. Tilla, Simz and Chuck modeling their customized Space Age wear jumpsuits.

On the set of “Zone 3” music video: Josh Arcé, Little Simz and Chuck cheesin’. Tilla, Simz and Chuck modeling their customized Space Age wear jumpsuits.

 

Takeaways from London:

  • Health is important. Take care of yourself and be good to yourself. Know when you need to rest. Even though I felt pressed to make my London trip as exciting as possible, I was tired so I did my best to relax and slow down–walking everywhere and stopping to admire the different flowers, watching people play tennis in Finsbury Park and finding the perfect soundtrack to my train rides.
  • Working at SoundCloud was an unforgettable experience (read my five year reflection post), so it’s not surprising that the people I’ve worked with and grown with as coworkers have become important to keep in touch with. I think for many of us who previously worked there, SoundCloud was unlike any other job, so there’s shared camaraderie of the blood, sweat and tears that were shed.
  • My time in London reminded me how much I admire my courage and independence. Slowing down on this trip allowed me to step back and think about how much I’ve grown since my last visit in 2009, but my courage and independence remain intact. It’s fun thinking about how I was on a different life path then too. Music hadn’t even crossed my mind as a career path then, but music has always been my companion.

NYC

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Shots from Spotify Studios in the office. A RapCaviar ad in the subway.

Shots from Spotify Studios in the office. A RapCaviar ad in the subway.

NYC was the last leg of the Jane Shin tour. I’ve been to New York a handful of times, mostly short and sweet visits. But I always leave NYC more stronger and motivated.

I worked from the NYC Spotify office for the first time. I spent time with members of my NYC-based team and reunited with more former SoundCloud colleagues who now work at Spotify as well, like Brendan Codey (we held it down on the Community Engagement team) and Jean Edelstein, an extraordinary writer and the reason I got this gig as a writer on the RapCaviar videos team to begin with.

On the first night when I arrived, I was transported back to the Bay for a moment. I attended Rayana Jay’s listening party for her Morning After project held at Atype in partnership with The Girl Mob.

Rayana is a talented artist and singer whose soulful lyrics and confidence can move anyone in the room. KQED listed her as a woman to watch.

She’s also supported by a great team–Evangeline Elder and Carmena Victoria, pka DJ Red Corvette. These two great women are the forces behind the Women in Music, Bay Area festival and conference that debuted this April. I was honored to have been invited to participate in their “Women in Music Behind the Scenes” panel.

I also spent time with great friends, like the incredibly talented designer and illustrator Hannah K. Lee. Hannah and I met in high school and bonded in our “Publications” (newspaper and yearbook) class. She just recently published Language Barrier in which her design, illustration and typography shine and provoke thought about our lives and connections to others.

Taking a photo of Hannah taking a photo.

Taking a photo of Hannah taking a photo.

I also always make it a point to spend time with my friend Jordan Caldwell too. Our paths crossed at SoundCloud in 2015, and she’s easily one of the best people I’ve met. She’s been working on her incredible sound and art installation project series, Manifest. Learning about the project and hearing about her progression towards it for the past year has been inspiring. Manifest is a physical installation that explores sonic and visual art through multi-sensory experiences. The first of the series is launching with Sunni Colón the week of October 16. If you’re in NYC, please check it out.

On one night, we enjoyed what she calls a “typical night in Brooklyn” as we caught Andre Power’s opening night residency A Night with Andre Power at Schimansky. There, I reunited with various lovely people, including Shaniqua “Haarlem” Branch, the brains behind Vate Row Records, home to Jimi Tents, Thatshymn and more.

Jordan and I matching the sky in millenial pink.

Jordan and I matching the sky in millenial pink.

Ivy Sole is the realest.

Ivy Sole is the realest.

I made some new friends too. I met Philly rapper and singer Ivy Sole in person for the first time. Among many other things we talked about, we also learned that we have an awesome mutual friend named Devin Hobdy who is in the band Bathe. They went to college together. Devin and I were former SoundCloud colleagues together, and we always had the best times swapping music recommendations. I’m happy when I learn how small the world is, especially when I know that one stellar individual also knows a mutually-known stellar individual.

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Admiring this statement on this lovely woman’s denim jacket and Solange in all her beauty and power at Afropunk.

Admiring this statement on this lovely woman’s denim jacket and Solange in all her beauty and power at Afropunk.

I attended Afropunk Festival for the first time in Brooklyn at Commodore Barry Park. The festival slogan is: “No Sexism, No Racism, No Ageism, No Homophobia, No Fatphobia, No Transphobia, No Hatefulness.” It was a beautiful celebration of black culture and a poignant reminder that it’s important now more than ever for people to unite and fight for Black Lives. Black Lives Matter.

I also got a chance to meet up with the Brooklyn collective, NXGN CBNT. They broke down the making of their latest project Zoom as we talked about the state of music today and where they’re headed on their path towards making great music and building community.

Speaking of community, I visited my friend Tea Leigh who was one of the first “SoundCloud Heroes.” SoundCloud Heroes was a SoundCloud community ambassador program I led from 2011–2013. Tea still makes music, but she’s built an incredible business and community with her stick and poke tattoo mastery and recently opened up a studio and community space called Welcome Home in Brooklyn. Learn more about her in Coveteur.

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Tea Leigh and Welcome Home Studio in Brooklyn.

Tea Leigh and Welcome Home Studio in Brooklyn.

Takeaways from NYC:

  • Find your community and support your community. Whether it was learning about how NXGN formed or meeting up with Tea who’s nurturing her own thriving tattoo community, there’s always more power and beauty shared when more worlds come together. I’m learning to figure out how I’m building my own community. I’m doing it now, but one of the ways I hope to grow it is by sharing posts like these to shed light on the people and things that inspire me. It’s important for me to use my voice to bring people together.
  • Always treat people with kindness and respect. It will go a long way especially because you don’t know who you’ll be working with later down the road or crossing paths with again.

It was a whirlwind August, so it took me some time to digest, process and write this post-travels. Now that I’m finding ground again back home in LA, I felt it was important to document my reflections and the different emotions and experiences I had. Thanks so much for reading.

Until next time,
Jane Shin